Guide The Inextinguishable Symphony: A True Story of Music and Love in Nazi Germany

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You can try selecting from a similar category, click on the author's name, or use the search box above to find your book. Click on the cover image above to read some pages of this book! In the spring of , more than 8, Jewish musicians, actors, and other artists were expelled from their positions with German orchestras, opera companies, and theater groups.

Later that year, the Judische Kulturbund, or Jewish Culture Association, was created to allow Jewish artists to perform for Jewish audiences. He is not writing compensatory history; he wants to know what happened to his parents before they escaped to America. Goldsmith describes his father fleeing Berlin during Kristallnacht, the murderous rampage during which the Nazis torched synagogues and razed Jewish—owned stores. This is the humility about which Yehuda Bauer was speaking. If you know the book but cannot find it on AbeBooks, we can automatically search for it on your behalf as new inventory is added.

If it is added to AbeBooks by one of our member booksellers, we will notify you! Martin Goldsmith. This specific ISBN edition is currently not available. View all copies of this ISBN edition:.

The Inextinguishable Symphony : Martin Goldsmith :

Review : The Israeli Holocaust scholar Yehuda Bauer once remarked that when you write about the Holocaust, you should remember that you are writing in front of burning children. He showed me the Pferdemarkt, the Horse Market, where his father had been taken following his arrest in November Slowly, those shadowy figures, my grandparents, whom I'd never known, began to take on human form.

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And for the first time, my father and I began to take notice of the huge tree in our house. It wasn't a fast process, by any means. A year later, while visiting my father in Tucson, I tried to get him to talk more about his youth. He spoke only briefly, however, and quickly moved the conversation on to something else. It was obvious that he found these trips into the past very painful.

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But I persisted in my efforts to talk to him about those days, believing that coming to terms with them would somehow benefit both him and our relationship. And that visit to Tucson resulted in something extraordinary: he agreed to come to Washington, D. A few days before my father's arrival, I happened to mention our plan to Alex Chadwick, a friend at National Public Radio. Alex asked if he could come along with a microphone and record my father's reactions.

The Inextinguishable Symphony: A True Story of Music and Love in Nazi Germany

Both my father and I agreed, and in late January , the three of us visited the museum. Those hours marked a turning point in my father's life, and in our relationship. At first, I thought I had made a terrible mistake in asking him to come to the museum. To tour the permanent exhibition, you enter an elevator that takes you to the top floor, from which you slowly walk back down to ground level.

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  8. When we stepped out of the elevator, the first image that met my father's eyes was a huge photograph of General Eisenhower touring a concentration camp after the war, surrounded by the skeletal remains of former prisoners. He gasped and tried to get back into the elevator, but the doors had already closed. My father took it all in and spoke very little. But the next day he came to NPR and recorded an interview with Alex, trying, he said, to explain the unexplainable.

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    Alex prepared a feature for NPR's Morning Edition, and suddenly people all over America began calling my father to tell him that they had been moved by his story. He, in turn, was moved by their interest. Having lived in silence with his thoughts and his memories for so long, he had come to feel isolated from other people. Now those people were reaching out to him, and the effect was transforming-- for both of us. He now felt more at ease with his past and with me. I had always felt distanced from him, but now I saw him in a different light: less as someone who had deliberately shut me out and more as someone who had heroically overcome the horrors of the Third Reich to establish a normal and rich life in a foreign land.

    We became good friends.

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    And we began to talk about his early years in Germany. The more I learned, the more I respected him, and the more I learned about myself as well. I discovered an important source of my feelings for music. It's beautiful and moving, of course, but music also literally saved my parents' lives. Had they not been members of an all-Jewish orchestra, maintained at the pleasure of Joseph Goebbels's Ministry of Propaganda, they would never have made it out of Germany alive.

    During their years in Berlin, before their escape, my parents frequently risked everything by defying the Nazi curfews so that they could play chamber music with their friends. As I heard my father tell me his story, I came to realize that somehow I had inherited the knowledge that music can not only enrich your life, it is also something worth risking your life for. I came to see that my chosen profession has been no accident.

    Maybe, in fact, it chose me. I learned that the tree growing in our house, like the ash tree in the house of Hunding, also contained a golden sword buried deep within its trunk. My parents' story of music and courage and persistence and luck was no weapon, but it has proven to be a source of great strength and inspiration for me.

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    By sharing his life, my father has enabled me to extract and possess a rich treasure of understanding and hope. See All Customer Reviews. Shop Books. Read an excerpt of this book!