The average photographer follows the rules. The outstanding photographer knows when to break them and how to make their own up. A snap-shooter records what they are presented with, generally with little or no thought to the arrangement of subjects within the frame, while a professional crafts the position of and relationships between the objects in the scene.
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What we are looking for with composition is a successful arrangement and inter-relationship between the main elements of the image and with the shape of the image. But successful in what way?
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Not some rules imposed by someone else, like a judge, but rather in what you want to say with the image. Everything that is in the image should contribute to this message and their placements within the frame and with respect to each other should all serve to enhance your vision.
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Furthermore, there are ideas about the placement of key elements in the image, such as the Rule of Thirds, static vs. A common thing we hear is that you should not put your main subject in the centre of the image. This is often good advice and placement on one of the one-third intersections works better much of the time. But there are times when a central placement is perfect. How can you tell when? By trying various subject placements and learning which ones work for you and in what situations.
Then when you are shooting you listen to your intuition, which has been informed and trained by the prior practice. There are also situations where the image works best if the main subject or subjects are put almost on the edge of the frame, moving them even further from the centre.
12222 Sony World Photography Awards - competitions
Discovery Purposely not defined by subject matter or photography type, the judges are looking for stunning bodies of work that clearly show the artist's passion for photography. They want to uncover work that would otherwise be unseen. The category embraces all uses of photography and a narrative may or may not be present in the work. However, it is vital that the vision of the photographer is clearly understood by the judges.
Environment Judges are seeking bodies of work that showcase the surroundings or conditions in which a person, animal, or plant lives or operates. Work should be fine art in its approach and address environmental concerns effecting the world today. Documentary The judges want bodies of work that give the facts and information about a chosen subject.
This could offer insight into a contemporary issue or clearly present a factual story with a news or current affairs agenda. Image processing is allowed but it is the responsibility of the photographer to not manipulate or enhance the images in such a way that they distort or change the reality of the scene shot. Landscape Showing spaces within the world in all their varieties, from large scale aerials to intimate views.
Judges will focus on the aesthetic quality of the final images. The category should be understood in its widest sense, from flora and fauna to animals and wildlife. Portraiture Judges are looking for interesting, original, strong and evocative photographs, and the category should be interpreted in its widest sense.
Still Life Often a group or an arrangement of objects, Still Life typically depicts inanimate subject matters. The approach can be classica or innovative and bold.
Judges will closely consider the interpretation of the subject including composition, lighting and framing when viewing the work. Sport Judges are looking for images that capture the intensity, emotions and action of the chosen sport subject. It could be professional or amateur, the focus could be on the sportsperson, the sport environment, the effort expended, the struggle or conflict or the rewards, but a strong narrative must be present.
Architecture The photographing of buildings or structures, this can be real or an interpretation of a building but the work must have an intended aesthetic. Creative A photograph which uses the medium of photography creatively. Technically manipulated images - such as abstract, panoramic, stitched and composite, amongst others - are welcomed. Motion Capturing movement within a single, still image. Landscape Your view of the physical world.
- World Photography Organisation |.
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