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    She wears a white cap and apron. An old merchant, he often competes with younger men in the conquest of some young woman. For this reason he is often caught up in complicated affairs from which he extricates himself with difficulty. The costume is a woollen beret, a red jacket, pantaloons with a belt from which hangs either a sword, handkerchief or bag. He has a black cloak lined with red draped over his shoulders and wears black pointed Turkish slippers.

    His mask is characterised by a turned-up nose, accentuated eyebrows and a strange pointed goatee beard. Pantalone represents the commercial spirit and talent for business which was gaining ground in the Venetian middle classes. He is often the melancholic servant, and combines the characteristics of foolishness with a large pinch of intuitive sense.

    PULCINO PIO- Funny version (Luciano Rosso)

    He uses lively gestures, typical of the Neapolitans: Tiepolo immortalised him in more than one of his paintings. His costume is a white shirt, tied with a belt. He wears an elongated hat and a black mask with beaky nose and wrinkles. Thin, gaunt and frail, he appears to have grown up in poverty; he is small in stature, of a yellowish complexion, with a broad forehead and arched eyebrows. Big-nosed, garrulous, easily frightened, impulsive but also wise, ingenious and ready to take the side of the little man, even if his timorousness often puts a spoke in the wheel: his comic effect lies in this conflict.

    This figure is halfway between a caricature of the traditional servant and the charming gentleman which avoids being grotesque.