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It was bound in brown Moroccan leather and embellished with five hand-chased hallmarked sterling silver ornaments and mounted moonstones. From Wikipedia, the free encyclopedia. Rowling concluding the Harry Potter series. For other uses, see Deathly Hallows disambiguation. Further information: Harry Potter fandom. Main article: Harry Potter in translation. Main article: The Tales of Beedle the Bard.

The New York Times. Archived from the original on 16 December Retrieved 15 December Guinness Book of World Records. Archived from the original on 19 September Retrieved 5 February BBC News. Archived from the original on 23 November Retrieved 27 September New York Post. Archived from the original on 17 May Archived from the original on 16 April Retrieved 21 April Toronto Star. Archived from the original on 20 December The Guardian.

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Speaking of which, children are not the only ones reading these magical fairy-tales—adults pore over them unabashedly and may even, perhaps, discuss the adventures of Harry, Ron, and Hermione at the proverbial water cooler. Rowling's talent as a writer of children's fiction is not magic or luck but just…talent; she is precise and methodical in her way of weaving these stories together and delighting readers of any age or personality that comes her way.

But superb characterization cannot be the only reason that keeps so many different kinds of people up at strange hours of the night trying to wrap up those last few hundred pages, wondering if Harry saves the day, and pleading for one more page at the completion of each book. Once past the mundane whatever that may be , it is quite obvious that the secret to J. Rowling's success is almost as hard to pin down as a mountain troll or even a house elf, but most wands seem to point to the fusion of so many genres.

The very first trait one notices about the Harry Potter novels is the pure and simple fact that they are series books, which the cover sort of screams at the reader with titles such as Harry Potter and the Sorcerer's Stone , Harry Potter and the Chamber of Secrets , and Harry Potter and the Prisoner of Azkaban. For those who are not quite destined to win a Nobel Prize, the idea that the stories will relate to one another in some fashion with this Harry chap fitting in somewhere is blissfully obvious: nothing pleases an audience, especially children, more than to know where a story will go and where it has been.

The other major characteristic of series novels is the journey of the characters through their ups and downs, ordinary and extraordinary events, change—basically, growing up. In the first two books, the reader witnesses Harry, Ron, and Hermione begin school at Hogwarts as energetic pre-adolescents, who worry about friends, school, and Quidditch except perhaps Harry, who worries more about being murdered ; in the Prisoner of Azkaban and the Goblet of Fire , the trio focuses on the importance of family with the near loss of several of the Weasleys Ron's family and the actual loss of Harry's uncle and godfather, Sirius; the Order of the Phoenix and the Half-Blood Prince relate the excitement and heartbreak of young love, yet Harry, Ron, and Hermione realize that they will always be there for each other.

But as the reader progresses through the series and grows along with Harry or reminisces about such growth , he or she triumphs in his successes and empathizes with his hardships because Rowling enables the reader to see that the characters gain something by growing up, so nothing is lost. Luckily, J. Rowling knows what she is writing about. Another rather significant genre J. Rowling tackles without breaking a sweat is fantasy. It is true that most of the great fantasy writers overflow with strong English heritage: C. Lewis, the Brontes, A.

Milne, Kenneth Grahame, and C. Dodgson— the list goes on and on. Clearly, these artists have greatly influenced Rowling's work because Harry Potter is first and foremost a work of fantasy: not many people wander into wizards on a daily occurrence or travel through fireplaces by floo powder on their commute to the office. There was the castle, God knows. Nesbit who Rowling commonly cites as her biggest influence is probably rolling in her grave at such news, but Rowling redeems herself somewhat by clarifying that it is the sentimentality about children in fantasy especially C.

TAB Book Review - The Magician's Elephant by Kate DiCamillo

It is almost too good to be true that Rowling did not recognize the fantasy in her own books because the best fantasy is that which sneaks by the reader's sensibilities and makes it all seem so real. Rowling adheres to this principle with incredible fervor when focusing on the creation of the wizarding world: she covers school systems, social hierarchy, government in the form of the Ministry of Magic, magical technology, and even the invention of magical currency.

In wainscot fantasy, two cultures exist simultaneously: the dominant culture the large, mundane world in which the reader belongs and the wainscot culture small, fantastic, and invisible to the dominant culture. This is phenomenal because it is essentially the entire structure of J. Rowling's books—Hogwarts, the Muggle world, and how the two interact with Harry in the middle. In the series, Rowling identifies the wizarding world as a wainscot culture as soon as Hagrid introduces it to Harry:.

Magic does not make his world better significantly. The relationships make his world better. Rowling is the master of the necessity of reality in fantasy because every child has that tiny spark of belief that some day they, too, will receive their letters to Hogwarts; unfortunately, the closest most will come is writing about it.

Ah yes, no one could forget those blissful days of school…then again, maybe a few could fail to remember. Many wonder which viewpoint an author should take on such a delicate matter of childhood, but J. Rowling finds a happy medium yet again by focusing more on the triumphant camaraderie and successes schools especially boarding schools provide with a sprinkling of empathy for its hardships as well. After all, everyone experiences the bullies, loathing of certain teachers, and the subjects that just cannot be mastered in school, but one lives for the moments when he or she gets picked first in kickball, receives a great score on a test, or laughs so hard that a liquid of some sort comes shooting out of one's nose.

This is one of the simplest yet most important aspects of the school story, or any form of children's literature, because children need to be able to connect with the characters and the environment of a story in ways that relate to their lives in order to find any enjoyment in it whatsoever. Harry is such a loveable character because he is the underdog-hero, who still blunders through his mistakes just like everyone else.

In Harry's case, it is clear he possesses both qualities: he is easy to relate to, yet readers live vicariously through him as he catches each Golden Snitch, wins the Triwizard Tournament, and hexes the school bullies…on occasion. This theory is quite obvious in examination because in the Sorcerer's Stone , the reader learns that a witch or wizard must complete seven years of schooling at Hogwarts hence seven books as well as Harry's repetitious returns into the wizarding world with each school year, so the reader can find comfort in knowing the general structure of the novels.

Another obvious trait the Harry Potter books possess is their placement in the subgenre known as the boarding school story. This adds an interesting twist to the common school story because the parents do not play a significant role if any at all in the children's lives, which is a familiar theme in many children's books. Rowling's way of emphasizing the importance of family and never to take them for granted. Although Harry is more than just a good guy, this works perfectly with the common formula for the hero of a school story. The most towering figure in this category, however, is Professor Dumbledore.

Dumbledore is the perfect messenger for these morals and lessons because it is in his job description and his natural personality to teach these things to all of the children but especially to Harry because Dumbledore is the only one suitable enough to look after Harry. As Bess Hawksmith watches her mother swing from the Hanging Tree she knows that only one man can save her from the same fate at the hands of the panicked mob: the Warlock Gideon Masters, and his Book of Shadows. But her solitude abruptly ends when a teenage girl called Tegan starts hanging around. Against her better judgment, Elizabeth begins teaching Tegan the ways of the Hedge Witch, in the process awakening memories—and demons—long thought forgotten.

Like her mother, young Sarah Carrier is bright and willful, openly challenging the small, brutal world in which they live. Often at odds with one another, mother and daughter are forced to stand together against the escalating hysteria of the trials and the superstitious tyranny that led to the torture and imprisonment of more than people accused of witchcraft. The inner city has had to rediscover old ways-farming, barter, herb lore.

But now the monied need a harvest of bodies, and so they prey upon the helpless of the streets. With nowhere to turn, a young woman must open herself to ancient truths, eternal powers, and the tragic mystery surrounding her mother and grandmother. She must bargain with gods, and give birth to new legends. If the wind calls at night, you must not listen. The wind is lonely, and always looking for company. And there are no strangers in the town of Near.

These are the truths that Lexi has heard all her life. But when an actual stranger—a boy who seems to fade like smoke—appears outside her home on the moor at night, she knows that at least one of these sayings is no longer true. The next night, the children of Near start disappearing from their beds, and the mysterious boy falls under suspicion.

Still, he insists on helping Lexi search for them. Something tells her she can trust him. Angela has not returned to the Good House since her son, Corey, died there two years ago. And what about the other senseless calamities that Sacajawea has seen in recent years? She is albino and thus, incredibly sensitive to the sun.


  • Un elefante in sala dattesa (Italian Edition).
  • WORKS CITED.
  • Evening Bird!
  • Harry Potter and the Philosopher's Stone.

All Sunny wants to do is be able to play football and get through another day of school without being bullied. But once she befriends Orlu and Chichi, Sunny is plunged in to the world of the Leopard People, where your worst defect becomes your greatest asset. Their mission is to track down Black Hat Otokoto, the man responsible for kidnapping and maiming children. Will Sunny be able to overcome the killer with powers stronger than her own, or will the future she saw in the flames become reality?

Sam is known for the moons he paints and hangs in the trees, and for how little anyone knows about his life before he and his mother moved to town. But as odd as everyone considers Miel and Sam, even they stay away from the Bonner girls, four beautiful sisters rumored to be witches. When the witch captures James Lee and takes him along, Mamma Granny knows just what to do.

The village has been suffering a famine, and the villagers are desperately hungry. Tierkinddorf is filled with hope. Neighbors wonder aloud who has cursed them and how quickly can she be found? They begin sharing secrets with the friar. In these desperate times her daughter-in-law would prefer one less hungry mouth at the family table. Chico recovers just as two women from his past turn up: his former beauty-queen lover and an attractive young woman claiming to be his long-dead daughter. Fina is not pleased.

He specializes in Palo Monte , the Afro-Caribbean magical art of controlling and manipulating spirits housed in cauldrons.


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  4. The Ancient One, the oldest spirit working for Victor, wants a blood sacrifice from Fina, something she has managed to avoid. But amidst the colorful festival, a struggle for power, as well as a devastating passion, develops between Mistress ZulE, a Voudon priestess and spiritual leader, and the infamous, bloodthirsty SimilA Bolosse, a rival Voudon priest backed by the tontons macoutes.

    Based on true events, The Red of His Shadow evokes ferocious love, intense hatred, and the specter of death looming within life. Written in a prose remarkable for its clarity and musicality, the novel manages to be both richly symbolic and intensely physical.

    Hermione, or the orphan sisters: A novel. In four volumes. ... [pt.2]

    Behind a case that Dominican police closed as a simple crime of passion pulses the spell of a war that remains unfinished today. For Jennet cannot and must not rest until she has put the last witchfinder out of business. The Wonderful Wizard of Oz by L. To get home, she must find the wonderful wizard in the Emerald City of Oz. But the Wicked Witch of the West has her own plans for the new arrival — will Dorothy ever see Kansas again? Abuela Luisa was the spiritual center of the family, an espiritista who smoked cigars and honored the Afro-Caribbean deities who had always protected their family.

    They moved through the corridors like sleek fish, ripples in their wake. Stares followed their backs and their hair. They had friends, but they were just distractions. They were waiting for someone different. All I had to do was show them that person was me. Like everyone else in her town, River is obsessed with the Graces, attracted by their glamour and apparent ability to weave magic. But are they really what they seem? And are they more dangerous than they let on? Daughters of the Witching Hill by Mary Sharratt: Bess Southerns, an impoverished widow living in Pendle Forest, is haunted by visions and gains a reputation as a cunning woman.

    Drawing on the Catholic folk magic of her youth, Bess heals the sick and foretells the future.

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    As she ages, she instructs her granddaughter, Alizon, in her craft, as well as her best friend, who ultimately turns to dark magic. When a peddler suffers a stroke after exchanging harsh words with Alizon, a local magistrate, eager to make his name as a witch finder, plays neighbors and family members against one another until suspicion and paranoia reach frenzied heights. Mary narrowly escapes a similar fate, only to face intolerance and new danger among the Puritans in the New World.

    How long can she hide her true identity? Will she ever find a place where her healing powers will not be feared? Presiding over the trial is traveling magistrate Issac Woodward, aided by his astute young clerk, Matthew Corbett. After hearing damning testimony, magistrate Woodward sentences the accused witch to death by burning. Desperate to exonerate the woman he has come to love, Matthew begins his own investigation among the townspeople.

    Piecing together the truth, he has no choice but to vanquish a force more malevolent than witchcraft in order to save his beloved Rachel and free Fount Royal from the menace claiming innocent lives. It is a compelling love story that unearths our deep ancestral connections to land, ritual and memory.

    No, not at all. Still, the museum exerts a curious pull over Rosie. It all adds up to looking like her plans to sell the museum might need to be delayed, just for a while. Finding herself and Sam embroiled in a most peculiar centuries-old mystery, Rosie is quickly expelled from her comfort zone, where to her horror, the secrets of the past come with their own real, and all too present, danger as a strange magic threatens to envelope them all.

    Meticulously researched and elegantly written, this novel takes a mesmerizing look at women in the New World in the 17th century and the stubborn men who accuse them for no reason. Too pretty, too reclusive, and far too educated for their own good. And if their secret is discovered by the priests of the Brotherhood, it would mean an asylum, a prison ship—or an early grave. Before her mother died, Cate promised to protect her sisters. Desperate to find alternatives to their fate, Cate starts scouring banned books and questioning rebellious new friends, all while juggling tea parties, shocking marriage proposals, and a forbidden romance with the completely unsuitable Finn Belastra.

    Not from the Brotherhood, the Sisterhood—not even from each other. But the road to Genua is bumpy, and along the way the trio of witches encounters the occasional vampire, werewolf, and falling house well this is a fairy tale , after all.

    Becoming a santera is not in her plans. When Gabrielle gets home to the San Francisco Bay Area, the predictions from her on-a-whim reading begin to come true. Unexpectedly marked for initiation by the gods and goddesses of the Yoruba pantheon, Gabrielle must decide whether she can bring herself to answer the call. And, if she chooses, commit to the seemingly contradictory life of a scientist who is also a santera.

    Lost then found, souls remain bound. Three sisters escape the Salem witch trials when the eldest casts a spell that hurtles their souls forward through time. After centuries separated, fate has finally reunited them in the present day. One the healer, one the teacher, and one the deceiver. Will their reunion return their full powers, or end their souls journey forever? By the end of her first day among fellow freak-teens, Sophie has quite a scorecard: three powerful enemies who look like supermodels, a futile crush on a gorgeous warlock, a creepy tag-along ghost, and a new roommate who happens to be the most hated person and only vampire student on campus.

    Hermione, or the Orphan Sisters: A Novel. In Four Volumes. by Charlotte Lennox

    Worse, Sophie soon learns that a mysterious predator has been attacking students, and her only friend is the number-one suspect. As a series of blood-curdling mysteries starts to converge, Sophie prepares for the biggest threat of all: an ancient secret society determined to destroy all Prodigium, especially her. Above all, she loves the chilling story of Frost, the blue-eyed winter demon, who appears in the frigid night to claim unwary souls.

    Wise Russians fear him, her nurse says, and honor the spirits of house and yard and forest that protect their homes from evil. The family acquiesces, but Vasilisa is frightened, sensing that more hinges upon their rituals than anyone knows. And indeed, crops begin to fail, evil creatures of the forest creep nearer, and misfortune stalks the village. But even within the overgrown gardens, murky swamps and crumbling graveyards of the forgotten South, a secret cannot stay hidden forever.

    Ethan Wate, who has been counting the months until he can escape from Gatlin, is haunted by dreams of a beautiful girl he has never met. In a town with no surprises, one secret could change everything. But there is a part of herself she can never reveal to him—for she must continue to guard her secrets if she wants to keep the past at bay.

    The Lion, the Witch, and the Wardrobe by C. Edmund felt a sensation of mysterious horror. Peter felt brave and adventurous. Susan felt as if some delightful strain of music had just floated by. So, deep in the bewitched land of Narnia, the adventure begins. They opened a door and entered a world—Narnia—the land beyond the wardrobe, the secret country known only to Peter, Susan, Edmund, and Lucy. At first, no one believes her. And in the blink of an eye, they are changed forever. But how can Nathan find his father when there is no one safe to trust, not even family, not even the girl he loves?


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    With her best friend, Lewis Barnavelt, away at Boy Scout camp, vacation threatens to be altogether boring. But when Mrs. Rose Rita and Mrs. Zimmermann set off on a trip to discover the meaning of the letter. A ransacked farmhouse, a missing ring, shadowy figures appearing in the night, and mysterious magic symbols are just the beginning as they are gradually drawn into a terrifying world of occult mysteries, where Mrs.